English German
Quick Links
Info

The opinions, comments and viewpoints expressed in articles are solely those of the author and do not necessarily represent the views of the webmaster.

All press articles are still under copyright from the original source and provided for entertainment purposes and research only. If you wish to use copyrighted material from this site for your own purposes beyond the 'fair use' exception, you must obtain permission from the copyright owner.


» Sin Nombre Director Cary Fukunaga to Adapt Jane Eyre

by Russ Fischer, published on Tuesday, October 20, 2009

This is a bit unexpected; there have been a lot of possible next projects in the works for Sin Nombre director Cary Fukunaga. None of them were a new adaptation of Charlotte Brontë’s novel Jane Eyre. But the deal to put Fukunaga in the director’s chair for a new film version of the oft-adapted novel is reportedly close to finished. And thinking about the idea further, I’ve realized that it actually may be quite a good fit for the promising new filmmaker.

Variety reports that Fukunaga is in advanced talks to direct the film for UK outfit Ruby Films. The script is by Moira Buffini, seemingly the most popular young playwright in England. Her script appeared on the 2008 Brit List, that roster of well-regarded unproduced screenplays in Britain. (Similar to the Black List in Hollywood.) There was news about this project back in 2008 when Ellen Page was on board to star as the title character, but she’s not been part of the current goings-on.

I haven’t had a chance to read Buffini’s take on the story, but the trade says that it highlights “the gothic elements of the classic 19th century story about a governess who falls in love with her surly employer who has a dark secret.” Superficially, that might pit this take squarely against the ‘44 version scripted by by John Houseman and Aldous Huxley and starring Joan Fontaine, Margaret O’Brien and Orson Welles (who reportedly ghost-directed much of the film).

But the social commentary that is crucial to the novel is something I can see Fukunaga nailing, and he’s also got the affinity for questions about class and ability to quickly sketch strong characters. Sin Nombre was a story heavy with atmosphere and a certain feeling that leapt between the characters without being voiced. That suggests that the heavy gothic atmosphere (not to be confused with a heavy goth atmosphere — don’t get this wrong) isn’t something that will daunt the director.

And what about those other films we’ve heard about as possible projects? There was talk of a sci-fi film involving time travel (please, let the future version of me be able to program a modern time-travel fest with films by Rian Johnson, Shane Carruth and Fukunaga!) and a “kind of fantastical folk story” musical with song collaboration by Owen Pallet of Final Fantasy and the Arcade Fire and Zach Condon of Beirut. Hopefully those are still on the docket somewhere. Fukunaga signed a first-look deal with Focus, so perhaps the studio will bite on one of those.

Source: www.slashfilm.com

Printerfriendly version · Read 3009 times

Last Update: 10/01/2019 Twitter  Facebook  YouTube  Instagram  Tumblr  Privacy Policy GDPR  HiStats  Facebook Group Ellen Page Fans © 2006-2019 TeamEPO
news ellenpage career media interact site web fancorner profile biography quotes factsandtrivia faqs filmography demoreel awards charity otherprojects gallery videoclips audioclips messageboard fanarts fanlisting guestbook links listedat affiliates aboutepo changelog contact epofaqs legalnotice